Posted on

“Anonymous Women” review at New Art Examiner November / December 2018 issue

Dramatically foreshortened as if it belongs in a Marvel comic book, a large, foreboding meat cleaver threatens to fly off the edge of a tabletop cornucopia of cooked goose, sausage, whole fish and carved ham. The server of the feast in Meaty (2017), wearing a fur coat and outfitted with a wire egg basket in place of a head and baguettes for arms, regally presents herself as if offering a hearty bon appétit! The setting’s photographic rendering is surrealistic, hallucinogenic, nightmarish and hilarious.

Continue reading at New Art Examiner

 

Posted on